Liana Banyan’s letter archive documents every outreach effort — from Crown invitations to lead the Sweet Sixteen Initiatives, to backer conversations, media pitches, and academic partnerships. Each letter is a real document sent (or prepared to send) to a real person.


Letter Categories

Crown Initiative — 22 letters

One-to-one invitations to lead the Sweet Sixteen Initiatives. Each Crown is the First Seat on a council — the tie-breaker, the standard-setter, the voice on the Steering Committee.

Crown Letters (At-Large) — 4 letters

Crown-level letters to public figures whose influence spans multiple initiatives: AOC, Keanu Reeves, Sandra Bullock, Arnold Schwarzenegger.

Circle 1: Backers — 11 letters

Outreach to backers, philanthropists, and economic thinkers who understand cooperative models and patient capital.

Circle 2: Media — 14 letters

Letters to journalists, commentators, and cultural voices — from Kara Swisher to Taylor Swift — who shape public understanding of technology and economics.

Circle 3: Academics — 14 letters

Engagement with researchers, economists, and thought leaders whose work validates (or challenges) the cooperative commerce model.

Pitches — 17 letters

Media pitches to publications from The Verge to the Wall Street Journal — tailored angles for different audiences.

Partnerships — 5 letters

Outreach to potential manufacturing, technology, and community partners.

Blessing — 3 letters

Letters of admiration and invitation to figures like Dolly Parton and Jimmy Kimmel — people whose values align with the mission.

Health — 3 letters

Letters addressing healthcare access, the Tatiana Schlossburg Health Accords, and the human stories that drive community wellness.

Professional — 1 letter

Legal counsel and advisory outreach.


Total: 94 letters — and growing.

Every letter here is public. Transparency is not a marketing strategy — it’s a structural commitment. If the math doesn’t work, you’ll see it. If the vision is flawed, you’ll read it. We publish our outreach because we believe the work speaks for itself.